Signs and Symbols grows from my background in graphic design and a long-standing fascination with typography. I'm interested in the visual language of type—its shape, rhythm, weight, and gesture—and how symbols can suggest meaning without ever fully defining it. Rather than functioning as text to be read, these forms become images that invite interpretation.
Made quickly and intuitively, each composition begins without a fixed outcome, allowing the work to unfold through repetition, instinct, and chance.
This ongoing series runs parallel to my other bodies of work, acting as both a visual sketchbook and a kind of meditative practice. Within these abstract shapes, unexpected connections emerge, often becoming the starting point for future ideas while remaining complete works in their own right.
Signs and Symbols grows from my background in graphic design and a long-standing fascination with typography. I'm interested in the visual language of type—its shape, rhythm, weight, and gesture—and how symbols can suggest meaning without ever fully defining it. Rather than functioning as text to be read, these forms become images that invite interpretation.
Made quickly and intuitively, each composition begins without a fixed outcome, allowing the work to unfold through repetition, instinct, and chance.
This ongoing series runs parallel to my other bodies of work, acting as both a visual sketchbook and a kind of meditative practice. Within these abstract shapes, unexpected connections emerge, often becoming the starting point for future ideas while remaining complete works in their own right.