Assembled Overtime
526 W26th St
New York, NY
March 28th – May 3rd, 2025
Assembled Overtime Rodney
Assembled Overtime Rodney
Assembled Overtime Jennifer Dalton
Assembled Overtime Jennifer Dalton
Assembled Overtime Hanna Washburn
Assembled Overtime Hanna Washburn
Assembled Overtime Eric William Brown
Assembled Overtime Eric William Brown
Assembled Overtime DT
Assembled Overtime DT
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About The Exhibition

A group show that features the work of artists William Eric Brown, Jennifer Dalton, Rodney Durso, and Hanna Washburn, four artists whose studio practices vary widely but who all embrace durational modes of artmaking. Curated by independent curator Emily Markert.

Jennifer Dalton’s installations, drawings and sculptures often aim to make time visible. She collects, organizes, and evaluates cultural information according to her own personal criteria, choosing subjects to test a hypothesis or to dissect a chip on her own shoulder. The results of her inquiries have been displayed as accordion books, photographic grids, hand-drawn charts, customized gumball machines, candies, bracelets, figurines, and other materials. In recent years, Dalton’s work has been exhibited at venues including the Brooklyn Museum, Staatsgalerie Stuttgart, the Wellin Museum of Art, the Museum of Capitalism, Flag Art Foundation, and Museum Brandhorst. Past awards and residencies include Pollock Krasner Foundation, Yaddo, MacDowell, Smack Mellon, and La Napoule. Dalton holds a BA in Fine Art from UCLA and an MFA from Pratt Institute in Brooklyn. Dalton is based in Brooklyn, NY.

Eric William Brown lives and works in New York City. He was born in Buenos Aires, Argentina, in 1969. He received a BFA from the University of Southern Maine in 1992, and an MFA from The Pennsylvania Academy of the Fine Arts in 1996. Brown is multifaceted in his practice, making paintings, sculptures, photographs, and installation work. Brown has also produced a large body of artists’ books, including A Sentence for the Sun, with text by Tom Melick, published by Stolon Press, Sydney in 2022. Recent and notable solo and group exhibitions of Brown’s work include, ATKA at Arts Center at Duck Creek (East Hampton, NY) in July 2023; ColorStatic at the National Arts Club (New York, NY) in 2021; Tiptoeing Through the kitchen: Recent Photography at Luhring Augustine (New York, NY) in April 2024; Sequences: Ode to Minor White, Brattleboro Museum of Art (Brattleboro, VT) in 2021; Everyday Animals at Ulterior Gallery (New York, NY) in 2019. Brown’s work is included in the collection of the Walker Art Center in Minneapolis, MN, and numerous private collections.
Hanna Washburn is an artist and curator based in Beacon, NY. Washburn’s work has been featured in publications including The New York Times, Hyperallergic, Cult Bytes, and the Femme Art Review. Her work has been shown at venues including SPRING/BREAK Art Fair (New York, NY), the Dorsky Museum of Art (New Paltz, NY), NADA Art Fair (New York, NY), Wassaic Project (Wassaic, NY), Munson-Williams-Proctor Art Institute (Utica, NY), Sotheby’s Institute of Art (New York, NY), and Rice University (Houston, TX). She has held artist residences at Haystack Mountain School (2023), Monson Arts (2020), and Vermont Studio Center (2019), among others. Washburn received her MFA in Fine Art from the School of Visual Arts in 2018, and her BA in Fine Art and English Literature from Kenyon College in 2014. She also works in the Curatorial Department of Storm King Art Center.

Link to <a href="https://assembled-overtime.com/" target="_blank" rel="noopener noreferrer">Assembled Overtime</a>site

Emily Markert is a curator, writer, and editor from and based in New York. She has worked at institutions such as the Wattis Institute for Contemporary Arts (San Francisco) and The Jewish Museum (New York) and curated site-responsive projects in San Francisco, Brooklyn, and Madrid. She is currently part of the curatorial team at Dia Art Foundation (New York/Beacon). Markert has also edited and contributed to numerous publications; recent projects include Imagining the Future Museum: 21 Dialogues with Architects (managing editor; 2022) and Steve McQueen: Bass (co-editor; 2024). She holds a BA from Johns Hopkins University and an MA in Curatorial Practice from California College of the Arts.
526 W. 26th Street, 5th Floor, RM 503, New York, NY, 10001. email@rodneydurso.com  +1 917 923-7884
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